Rande asked:
Are you seriously not going to comment on Paul Levitz returning to Legion? I have no concept of whether this is good news or bad news and need you to tell me what to think (I actually no very little about the Legion at all aside from that period of time I was a Chris Sprouse fan and your own interesting storylines).
And then Lister Sage followed that up with
I would like to know what you thought of the Mark Waid Strange mini that just finished this week.
I mostly avoid talking about the current status quo on these titles – for reasons that I think should be obvious – but since people asked, fair is fair I guess.
On Legion, I am guardedly optimistic but only to a certain extent. The reason to be somewhat optimistic is that Levitz did, after all, write one of the best runs of any superhero comic ever when he was writing Legion – all this time later, it’s still remarkably bold and mature in its outlook, which is a combination that doesn’t happen often. If Levitz can write half as well as he did, it should be a great comic.
If he can write half as well as he did. Noteworthy creators returning to write comics after a lengthy break have a track record that is, shall we say, not good.
If editorial control on the title manages to not be hamhanded, and regardless of the power shakeup at DC I’m not very confident about that, especially with the way the Legion is seemingly being shoved firmly back into the “supporting characters in the Superman mythos” camp.
If he can make this ersatz fanboy’s wish version of the Legion compelling.
I mean, if anybody can do all those ifs, it’s Levitz. But that’s why I’m only guardedly optimistic.
As for Strange, I thought Waid captured the voice and character of Strange reasonably well and up until the final issue it felt like I’d like to see a Dr. Strange series go, more or less. (Ignoring the whole Dr. Voodoo thing, the less said about which, frankly the better.) However, that final issue – eeeeuuuurgh. Giving Casey a Morton’s fork dilemma and then having her actually take a fork rather than solve her way out of it (which is what superheroes are traditionally supposed to do, after all) was irritating, but more irritating than that was writing three issues of “Dr. Strange can barely do magic any more” and then having him heal the fabric of the universe with fucking magic in the fourth issue. I think Doc as “magical sensei who relies on students to do magical heavy lifting” is as good an engine as Doc being the Sorcerer Supreme or equivalently powerful, but you can’t actually do both at the same time, you know?
On the bright side, Waid didn’t actually kill off Casey, but instead consigned her to a distant dimension of some sort, so at least she’s not a girl-in-refrigerator. And other than that fourth issue, the series genuinely was pretty decent. Why do we need Brother Doctor Voodoo again, exactly?
Anyhow. Thok also wanted to know what I thought about Legion of Three Worlds (for which I will delay until I write something about Blackest Night next month) and Stig asked:
Batman is soon to be shunted through time by Grant Morrison in a miniseries where he dons several variant Bat-lawmaker costumes. Given that Batman is a big, popular character who is often in the spotlight, and given that you have shown a healthy interest in forgotten-and-yet awesome classic DC characters…which one would you have take Batman’s place in the trek across the ages?
That story doesn’t work with anybody other than Batman, frankly. Superman doesn’t era-analogize as well as Batman does for a horde of reasons (many of which involve power level) and nobody else in DC’s stable really merits the “myriad multiple versions of self across time and space” storyline because they’re not important enough to merit the treatment. If you did this with, say, Green Arrow it would just come across as wanking. It doesn’t with Batman. Is this fair to lesser-known characters? No, but then again they’re lesser-known for a reason.
I would love to see a variant on the “Why I should write …” series. Specifically, “Why I shouldn’t write …” and give us your worst idea, with the aid of Photoshop, on various comic properties.
It’s not funny or anything, but: the X-Men. The Avengers. The Fantastic Four. Most of Marvel’s major properties interest me not at all in a writerly sense, and I think that’s the only disqualifier for “should I write this.” If you’re not interested in writing the book you’re not going to write it well. This doesn’t mean that being interested in a property is enough to make you write it well (god knows that’s not the case) but it’s the first requirement and I don’t satisfy it for any of those books. (On the DC side? Justice League: barely. Teen Titans: not at all.)
Finally, Thok also asked
I’d like to see MGK’s take on “Why I should write Hitman Jr.”
As someone else once noticed, I had a distinct idea as to what happened to Maggie Lorenzo’s kid.
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I don’t think I’ve ever seen Morton’s Fork used as an adjective before, but it’s certainly fun to see the phrase used at all. As a fairly literate American, I applaud obscure historical references (when I get them, at least), although maybe Morton is a routine part of education for Canadians.
What, you thought the first comment would be about comics?
I actually feel kind of awkward now that I recall that there was an extended arc like that with Superman (“Time and Time Again”), and that I still own a TPB of it. I was more thinking of the more obscure characters, but I suppose you’re right.
So by not having it expressly ruled out, I now fully expect “Why I should write Kickers Inc”
Actually, this does set up a fun question: What’s the silliest and/or most obscure thing you’d like to write about?
Alexander Luthor and the Justice Underground of Amerika.
It’s hard to be too optimistic about Paul Levitz returning to the Legion. After all, DC just had one of the classic LSH writers return in the form of Jim Shooter, and he didn’t even get a chance to finish up his storylines before the book was put to bed.
Unrelated: Alexander Luthor and the Justice Underground of Amerika is brilliant, and I demand a “why I should write…”, or at least followup.
As someone else once noticed, I had a distinct idea as to what happened to Maggie Lorenzo’s kid.
To be fair, part of the fun of that question is coming up with what “Hitman, Jr.” means. After all, there’s no obvious reason why the new Blue Beetle meant “Hispanic teenage kid in El Paso with alien killing device in his skull” or the new Manhunter meant “Divorced female lawyer cobbles together a battle suit to fight crime”, and I sort of would like to see what you would cobble together just from the title.
Granted, Maggie’s son is President in the dark near future of the DCU definitely has potential.
I had to suddenly skip over the Doctor Strange part. It looked like you were going to reveal too much. I’ve got the fourth issue, but I missed the third, and so far I’ve refused to take the last one out of its bag and even glance at it. The store is supposed to order another copy of #3 for me, but I don’t know when I’ll get a chance to pick it up.
You really should wait several months before you discuss what happens in a story.
Followed the link to your “If I Wrote Legion… #50”. It, in turn, refers to reasons #6 and 29 so I went in search of your original postings.
So where are they? Searched a bit thru the archives and followed the “If I wrote…” tag but was only able to find the two summary pages which contain the graphic and a brief paragraph for each reason.
Have the original postings been removed?
… and I think that’s the only disqualifier for “should I write this.”
I’d be interested in hearing how you’d explode the central concept of several of these titles.
“Why I shouldn’t write The Fantastic Four… because I’d send them on a 20-issue story where they get lost in the negative zone and must fight/bargain/sneak their way home, Voyager-style.”
I dunno. I’d find it interesting.
If I were going to do something like this, I’d… I don’t know… raise Bucky Barnes from the dead as a villain, rehab him, kill Steve Rogers and have Bucky pick up Cap’s shield. But he’d have a gun and shoot people, because that’s so edgy.
Which is a nutsy idea.
…I bet a “myriad multiple versions of self across time and space” storyline about Rex the Wonder Dog would work. Yeah, just try and pretend you weren’t already thinking that.
@Mary, I find it annoying when people won’t stop discussing future solicits or First Looks either. Or when I want to talk about something that occurred in the first couple pages, but everyone’s already bored by the reveal.
The only way to really be part of the conversation is to stay off the internet or read all the dern upcoming crap.